World's Fastest Cars

:

1. Bugatti Veyron Super Sport: 267 mph, 0-60 in 2.4 secs. Aluminum, Narrow Angle 8 Liter W16 Engine with 1200 hp, base price is $2,400,000. Although the Bugatti Veyron lost the title to SSC Ultimate Aero on March 2007, Bugatti challenge the record in Germany on July 10, 2010 with the new 2010 Super Sport Version and the Veyron once again claims the title of the fastest car in the world at 267 mph. The original Bugatti Veyron has a top speed of 253 mph, priced at $1,700,000 and equipped with 1001 hp.

#2 is a tie!

2. Hennessey Venom GT: 260 mph, 0-60 in 2.5 seconds, has a 6.2-liter LS9 Turbocharged V8 Twin Turbo V8 Engine producing 1200 hp, has a price tag of $950,000. The Venom GT has yet to be tested and proven, but could possibly hit a top speed of 275 mph. This might just be the Veyron Super Sport's closest competitor!

2. Koenigsegg Agera R: 260 mph, 0-60 in 2.9 secs. 5.0-liter V8 Engine with twin turbo’s, housing 1099 hp. Base price is $1,600,000. If you're into snow sports, the Agera R can be fitted with a Ski Box as well as winter tires, not that I would take one on a ski trip or anything like that. While the Agera R has a massive theoretical top speed, the current tested top speed is 260 mph. Expect this snow car to be the Bugatti's arch enemy for the next 5 years.

3. SSC Ultimate Aero: 257 mph, 0-60 in 2.7 secs. Twin-Turbo V8 Engine with 1183 hp, base price is $654,400. Tested in March 2007 by Guinness World Records, The SSC Ultimate Aero was the fastest car in the world from March 2007 to July 2010. On March 2011, the Koenigsegg Agera R also surpassed it, forcing this American made car to the #3 spot. Shelby SuperCars will continue their quest to reclaim the fastest car title, and their new SSC Tuatura might do the job (we'll just have to wait).

4. Saleen S7 Twin-Turbo: 248 mph, 0-60 in 2.8 secs. Twin Turbo All Aluminum V8 Engine with 750 hp, base price is $555,000. Smooth and bad-ass. It will make you want to show it off non-stop.

5. Koenigsegg CCX: 245 mph, 0-60 in 3.2 secs. 90 Degree V8 Engine 806 hp, base price is $545,568. Made in Sweden, it is the older brother of the Agera R, only losing to 4 other supercars in the world.

6. McLaren F1: 240 mph, 0-60 in 3.2 secs. BMW S70/2 60 Degree V12 Engine with 627 hp, base price is $970,000. The fastest car in the 20th century with doors that looks like bat wings. Maybe Batman needs to order one and paint it black

7. Gumpert Apollo: 224 mph, 0-60 in 3.0 secs, 4.2 liter V8 Engine that houses 650 hp. Base price: $450,000. Gumpert claims that the Apollo was designed such that it could drive upside-down in a tunnel with speeds at 190 mph or above. Of course, no one has tested this yet.

8. Noble M600: 223 mph, 0-60 in 3.7 secs. Twin-turbocharged 4.4-liter V8 Engine with 650 hp. Base price is $330,000. The Noble M600 also happens to be a very cool car. Its inconspicuous design sports a slender and contoured body which does not scream out for attention at every second of the day.

We have a tie for 9th and 10th places:

9. Lamborghini Aventador: 217 mph, 0-60 in 2.9 secs. V12 Engine with 700 hp, base price is $379,700. According to Lamborghini, Aventador is the name of a Bull that entered into battle at the Saragossa Arena on October 1993. This is the fastest bull in the world!

9. Pagani Zonda Cinque Roadster: 217 mph, 0-60 in 3.4 secs. Twin turbocharged AMG V12 engine that produces 678 hp. Base price is $1,850,000. The Pagani Zonda Cinque Roadster is a limited-edition, with five ever produced. It is the quintessential exotic and exclusive supercar.

9. Ferrari Enzo: 217 mph, 0-60 in 3.4 secs. F140 Aluminum V12 Engine with 660 hp, base price is $670,000. Only 399 were ever produced; the price goes up every time someone crashes.

9. Jaguar XJ220: 217 mph, 0-60 in 3.8 secs. Twin Turbo V6 Engine with 542 hp, base price was $650,000. Made in 1992, this car still has what it takes to make the list.

10. Ascari A10: 215 mph, 0-60 in 2.8 secs. 5.0 litre BMW V8 S62 Engine with 625 hp. Base price: $650,000. The company planned to produce 50 of these supercars at its factory in Banbury, England.

10. Pagani Zonda F: 215 mph, 0-60 in 3.5 secs. Mercedes Benz M180 V12 Engine with 650 hp, base price is $667,321. With a V12 motor, this baby can do much better.

The earliest historical OF Bodhidharma

The earliest historical record of Bodhidharma was compiled in 547 by Yang Xuanzhi, the Record of the Buddhist Monasteries of Luoyang, in which Yang identifies Bodhidharma as a Persian Central Asian (Wade-Giles: po-szu kuo hu-jen) (Broughton, 1999, p. 54, p.138). However, Broughton notes that Yáng may have actually been referring to another monk named Boddhidharma, not related to the historical founder of Chan Buddhism. This book is considered to be unreliable, full of exaggeration and mirabilia. John Jorgensen (Inventing Hui-neng, the Sixth Patriarch) believes that Yang just confused Pahalva with Pallava. Pahalva means Persian. Bodhidharma's disciple Tanlin identifies his master as South Indian Brahmin(Broughton, 1999, p. 8).

The Biography is part of the Long Scroll of the Treatise on the Two Entrances and Four Practices, which Daisetz Teitaro Suzuki found in 1935 by going through the Dunhuang collection of the Chinese National Library. Bodhidharma's birth name Bodhitara. Throughout Buddhist art, Bodhidharma is depicted as a rather ill-tempered, profusely bearded and wide-eyed barbarian. He is described as "The Blue-Eyed Barbarian" in Chinese texts. His landing place was later called Xi Lai Chu Di ('first landfall on journeying from the west'), and is the site of Hualin temple.

About his Kanchipuram origin - Bodhidharma, the founder of the Chan (Zen) school of Buddhism in China, is a prince of the Pallava dynasty, a contemporary of Skandavarman IV and Nandivarman I and the son of Simhavarman II. Other accounts say that he was black in color (this comes from the paintings on shaolin cave walls of a black Dravidian teacher).

And why did he go to China in the first place? In 526, the 28th Buddhist patriarch Ta Mo (Bodhidharma) came to China by sea; the downfall of Buddhism in the country of its origin had forced him and many of his coreligionists to seek a new home in China, ‘cliicllyin Layong’, where 5000 Indians are said to have lived in the 6th century A.D. (India as known to the ancient world - Dr. G Banerjee). Sadly Bodhidharma was killed by poisoning, though the reports are not conclusive. According to Dàoxuān's chronology, Bodhidharma's death must have occurred prior to 534, the date of the Northern Wei Dynasty's fall, because Huike subsequently leaves Luoyang for Ye.

Shaolin Kung Fu

Shaolin Kung Fu refers to a collection of Chinese martial arts that claim affiliation with the Shaolin Monastery.

Of the multitude styles of kung fu and wushu, only some are actually related to Shaolin. Aside from a few very well known systems, such as Xiao Hong Quan, the Da Hong Quan, Yin Shou Gun, Damo Sword, etc.,[citation needed], after the loss of records during the 20th Century Cultural Revolution it would be almost impossible for a particular style to conclusively establish a connection to the Temple.

Internal and external arts

Huang Zongxi described martial arts in terms of Shaolin or "external" arts versus Wudang or internal arts in 1669.[1] It has been since then that Shaolin has been popularly synonymous for what are considered the external Chinese martial arts, regardless of whether or not the particular style in question has any connection to the Shaolin Monastery. Some say that there is no differentiation between the so-called internal and external systems of the Chinese martial arts,while other well-known teachers have expressed differing opinions. For example, the Taijiquan teacher Wu Jianquan:

Those who practice Shaolinquan leap about with strength and force; people not proficient at this kind of training soon lose their breath and are exhausted. Taijiquan is unlike this. Strive for quiescence of body, mind and intention.

In 1784 the Boxing Classic: Essential Boxing Methods made the earliest extant reference to the Shaolin Monastery as Chinese boxing's place of origin.Again, this is a misconception, as Chinese martial arts pre-date the construction of the Shaolin Temple by at least several hundred years.

Legend of Bodhidharma at Shaolin

According to the Jingde of the Lamp, after Bodhidharma, a Buddhist monk from South India, left the court of the Liang emperor Wu in 527, he eventually found himself at the Shaolin Monastery, where he “faced a wall for nine years, not speaking for the entire time”.

According to the Yì Jīn Jīng,after Bodhidharma faced the wall for nine years at Shaolin temple and made a hole with his stare, he left behind an iron chest. When the monks opened this chest they found two books: the “Marrow Cleansing Classic, and the “Muscle Tendon Change Classic”, or "Yi Jin Jing within. The first book was taken by Bodhidharma's disciple Huike, and disappeared; as for the second, the monks selfishly coveted it, practicing the skills therein, falling into heterodox ways, and losing the correct purpose of cultivating the Real. The Shaolin monks have made some fame for themselves through their fighting skill; this is all due to their possession of this manuscript.

History

 1517 stele dedicated to Vajrapani's defeat of the Red Turban rebels. Guanyin (his original form) can be seen in the clouds above his head.The attribution of Shaolin's martial arts to Bodhidharma has been discounted by several 20th century martial arts historians, first by Tang Hao on the grounds that the Yì Jīn Jīng is a forgery.[12] Stele and documentary evidence shows the monks historically worshiped the Bodhisattva Vajrapani's "Kimnara King" form as the progenitor of their staff and bare hand fighting styles.

Huiguang and Sengchou were involved with martial arts before they became two of the very first Shaolin monks, reported as practicing martial arts before the arrival of Bodhidharma. Sengchou's skill with the tin staff is even documented in the Chinese Buddhist canon.

Records of the discovery of arms caches in the monasteries of Chang'an during government raids in AD 446 suggests that Chinese monks practiced martial arts prior to the establishment of the Shaolin Monastery in 497. Monks came from the ranks of the population among whom the martial arts were widely practiced before the introduction of Buddhism. There are indications that Huiguang, Sengchou and even Huike, Bodhidarma's immediate successor as Patriarch of Chán Buddhism, may have been military men before retiring to the monastic life. Moreover, Chinese monasteries, not unlike those of Europe, in many ways were effectively large landed estates, that is, sources of considerable regular income which required protection.

In addition to that, the Spring and Autumn Annals of Wu and Yue, the Bibliographies in the Book of the Han Dynasty and the Records of the Grand Historian all document the existence of martial arts in China before Bodhidharma. The martial arts Shuāi Jiāo and Sun Bin Quan, to name two, predate the establishment of the Shaolin Monastery by centuries.

Tang Dynasty (618–907)

The oldest evidence of Shaolin participation in combat is a stele from 728 that attests to two occasions: a defense of the monastery from bandits around 610 and their role in the defeat of Wang Shichong at the Battle of Hulao in 621.Like most dynastic changes, the end of the Sui Dynasty was a time of upheaval and contention for the throne. Wang Shichong declared himself Emperor. He controlled the territory of Zheng and the ancient capital of Luoyang.

Overlooking Luoyang on Mount Huanyuan was the Cypress Valley Estate, which had served as the site of a fort during the Jin and a commandery during the Southern Qi.[17] Sui Emperor Wen had bestowed the estate on a nearby monastery called Shaolin for its monks to farm but Wang Shichong, realizing its strategic value, seized the estate and there placed troops and a signal tower, as well as establishing a prefecture called Yuanzhou.[17] Furthermore, he had assembled an army at Luoyang to march on the Shaolin Temple itself.

The monks of Shaolin allied with Wang's enemy, Li Shimin, and took back the Cypress Valley Estate, defeating Wang's troops and capturing his nephew Renze.

Without the fort at Cypress Valley, there was nothing to keep Li Shimin from marching on Luoyang after his defeat of Wang's ally Dou Jiande at the Battle of Hulao, forcing Wang Shichong to surrender.

Li Shimin's father was the first Tang Emperor and Shimin himself became its second.

Thereafter Shaolin enjoyed the royal patronage of the Tang.

Though the Shaolin Monastery Stele of 728 attests to these incidents in 610 and 621 when the monks engaged in combat, it does not allude to martial training in the monastery, or to any fighting technique in which its monks specialized. Nor do any other sources from the Tang, Song and Yuan periods allude to military training at the temple.

According to Meir Shahar, this is explained by a confluence of the late Ming fashion for military encyclopedias and, more importantly, the conscription of civilian irregulars, including monks, as a result of Ming military decline in the 16th century.

Ming Dynasty (1368–1644)

From the 8th to the 15th centuries, no extant source documents Shaolin participation in combat; then the 16th and 17th centuries see at least forty extant sources attest that, not only did monks of Shaolin practice martial arts, but martial practice had become such an integral element of Shaolin monastic life that the monks felt the need to justify it by creating new Buddhist lore.[18] References to Shaolin martial arts appear in various literary genres of the late Ming: the epitaphs of Shaolin warrior monks, martial-arts manuals, military encyclopedias, historical writings, travelogues, fiction, and even poetry.

These sources, in contrast to those from the Tang Dynasty period, refer to Shaolin methods of combat unarmed, with the spear, and with the weapon that was the forte of the Shaolin monks and for which they had become famous, the staff.By the mid-16th century military experts from all over Ming China were travelling to Shaolin to study its fighting techniques.

Around 1560 Yú Dàyóu travelled to Shaolin Monastery to see for himself its monks' fighting techniques, but found them disappointing. Yú returned to the south with two monks, Zongqing and Pucong, whom he taught the use of the staff over the next three years, after which Zongqing and Pucong returned to Shaolin Monastery and taught their brother monks what they had learned. Martial arts historian Tang Hao traced the Shaolin staff style Five Tigers Interception to Yú's teachings.[citation needed]

The earliest extant manual on Shaolin Kung Fu, the Exposition of the Original Shaolin Staff Method was written in around 1610 and published in 1621 from what its author Chéng Zōngyóu learned during a more than ten year stay at the monastery.

Conditions of lawlessness in Henan where the Shaolin Monastery is located and surrounding provinces during the late Ming Dynasty and all of the Qing Dynasty contributed to the development of martial arts. Meir Shahar lists the martial arts T'ai chi ch'uan, Chang Family Boxing, Bāguàquán, Xíngyìquán and Bājíquán as originating from this region and this time period.

Pirates

In the 1540s and 1550s, Japanese pirates known as wokou raided China's eastern and southeastern coasts on an unprecedented scale.The geographer Zheng Ruoceng provides the most detailed of the 16th century sources which confirm that, in 1553, Wan Biao, Vice Commissioner in Chief of the Nanjing Chief Military Commission, initiated the conscription of monks including some from Shaolin against the pirates.Warrior monks participated in at least four battles: at the Gulf of Hangzhou in spring 1553 and in the Huangpu River delta at Wengjiagang in July 1553, Majiabang in spring 1554, and Taozhai in autumn 1555.The monks suffered their greatest defeat at Taozhai, where four of them fell in battle; their remains were buried under the Stūpa of the Four Heroic Monks (Si yi seng ta) at Mount She near Shanghai.

The monks won their greatest victory at Wengjiagang.On 21 July 1553, 120 warrior monks led by the Shaolin monk Tianyuan defeated a group of pirates and chased the survivors over ten days and twenty miles.The pirates suffered over one hundred casualties and the monks only four.

Not all of the monks who fought at Wengjiagang were from Shaolin, and rivalries developed among them. Zheng chronicles Tianyuan’s defeat of eight rival monks from Hangzhou who challenged his command. Zheng ranked Shaolin first of the top three Buddhist centers of martial arts.[18] Zheng ranked Mount Funiu in Henan second and Mount Wutai in Shanxi third. The Funiu monks practiced staff techniques which they had learned at the Shaolin Monastery. The Wutai monks practiced Yang Family Spear (楊家槍; pinyin: Yángjiā qīang).

Influence outside China

Some lineages of Karate have oral traditions that claim Shaolin origins.Martial arts traditions in Japan and Korea, and Southeast Asia cite Chinese influence as transmitted by Buddhist monks.

Recent developments in the 20th century such as Shorinji Kempo (少林寺拳法) practised in Japan's Sohonzan Shorinji (金剛禅総本山少林寺) still maintains close ties with China's Song Shan Shaolin Temple due to historic links.[21] Japanese Shorinji Kempo Group financial contributions to the maintenance of the historic edifice of the Song Shan Shaolin Temple in 2003 received China's recognition.

In popular culture

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List of the 72 Shaolin martial arts.In 1934, Jin Jing Zhong published a book variously known in English as Shaolin 72 Shaolin Arts Practice Method or Training Methods of 72 Arts of Shaolin. This work lists what are alleged to be authentic Shaolin training methods that can produce extraordinary skills and abilities; examples of these skills include iron body techniques (both offensive and defensive), jumping and wall scaling techniques, pole-top leaping dexterity training, pressure-point and nerve manipulation, and a host of other feats. Most of these skills require anywhere from three to ten years to master, according to the author. Jin claims to have witnessed many of these skills himself or to have learned of them from a scroll given to him by Shaolin Abbot Miao Xing, though the work tends to exaggerate and embellish.

Contemporary training at the Shaolin Temple

While most warrior monks tend to be focused on performance geared toward the touring troupes, a smaller cadre of Shaolin warrior monks seek the traditional route that focuses somewhat more on self-defense and authenticity of techniques. In many ways, the contemporary performing warrior monks are comparable to contemporary wushu artists who focus on beautiful, elaborately dazzling form rather than original martial application and fighting prowess. The 72 Shaolin arts are more indicative of the older, original Shaolin temple fighting system and theory. Also, performing monks

are not pressured to practice or study Zen, while inside the temple, at least a show of deference for the Shaolin customs is expected by the masters of their chosen warrior monk disciples.

Shaolin, in popular culture, has taken on a second life. Since the 1970s, it has been featured in many films, TV shows, video games, cartoons, and other media. While much of this is a commercialized aspect of Shaolin, it is also widely credited as keeping the 1500 year old temple in the consciousness of the world, and from vanishing into obscurity like many other ancient traditions. The Abbot of Shaolin, Shi Yong Xin, has decided to embrace modern day pop culture and has used it to the advantage of the temple to keep the temple prominent on the world stage. Shaolin monks have been featured on Fight Science, a National Geographic television series, performing feats of strength, endurance, and martial arts.

The 1970s television series Kung Fu starred David Carradine as Kwai Chang Caine, a Shaolin monk on the run in the Wild West whose Zen (Ch'an) training is tested along his journey. Carradine's part was originally to be played by Bruce Lee. Ironically, Lee was pulled at the last minute before airing for looking "too Chinese" for an American public accustomed to white actors portraying ethnic minority characters for a mainly white audience. However, the character of Caine was supposed to be of mixed Chinese and European ancestry, a fact which may have also had an influence on this decision. In the 1990s, Carradine starred in the series Kung Fu: The Legend Continues, which followed the grandson and great-grandson of the original Caine in a large modern city.

In 1977, the cult classic Shaw Brothers film Shaolin Temple was released and in 1982 a film by the same name starring Jet Li is credited as a major reason for the revival of the Shaolin Temple in China after the Cultural Revolution.[citation needed] The film's story tells the legend of the Shaolin Temple. This film is followed by countless other films, including another Shaw Brothers film entitled The 36th Chamber of Shaolin, which depicts the training of the legendary Shaolin monk San Te.

In the 1990s, American hip-hop group The Wu Tang Clan arose, often making frequent references to Shaolin, sometimes as a name for their home, Staten Island, New York. The references arise from the group growing up in Staten Island in the late 1970s, and being influenced by movie theaters playing and advertising Kung Fu movies based on the Shaolin fighting style. Video games and cartoons begin to also feature Shaolin, such as the cartoon Xiaolin Showdown. Liu Kang, the main character in the Mortal Kombat series, is a Shaolin monk, and Kung Lao from the same series, is also a Shaolin monk who seeks to avenge the temple's destruction, (led by Baraka in Mortal Kombat's story), they were so popular, they were turned into their own video game, Mortal Kombat Shaolin Monks. Krillin, a character in the Dragon Ball/Dragon Ball Z universe, is also a Shaolin monk, though he abandons the Shaolin fighting style in favor of Muten-Rôshi's Turtle technique.

The Shaolin Abbot, Shi Yong Xin, has written the foreword attesting the authenticity of the project. These became the first photographs seen of monks practicing classical kung fu inside the temple. American author Matthew Polly, also has written a book recounting his story of his two years living, studying, and performing with the Shaolin monks in China in the early 1990s. A third, more academic book, is While some of these are clear commercial exploitation of the Shaolin Temple and its legends, they have helped make Shaolin a household name around the world, and kept the temple alive in the minds of many young generations. To date, no other temple in the world has achieved such wide spread recognition.

Historical of India

India's languages, religions, dance, music, architecture, food and customs differ from place to place within the country, but nevertheless possess a commonality. India is the only country in the world to have so many religions and beliefs. The culture of India is an amalgamation of these diverse sub-cultures spread all over the Indian subcontinent and traditions that are several millennia old.

Regarded by a few historians as the "oldest living civilization of Earth", the Indian tradition dates back to 8000 BCand has a continuous recorded history since the time of the Vedas, believed variously to be 3,000 to over 5,500 years ago.Several elements of India's diverse culture  such as Indian religions, yoga and Indian cuisine have had a profound impact across the world.

Religions and spirituality

 Dharmic religions, such as Hinduism and Buddhism, are indigenous to India.

India is the birth place of Hinduism, Buddhism, Jainism and Sikhism, collectively known as Indian religions. Indian religions, also known as Dharmic religions are a major form of world religions along with Abrahamic ones. Today, Hinduism and Buddhism are the world's third- and fourth-largest religions respectively, with over 2 billion followers altogether, and possibly as many as 2.5 or 2.6 billion followers. India is also the birthplace for the Lingayat and Ahmadiyya faiths.

India is one of the most religiously diverse nations in the world, with some of the most deeply religious societies and cultures. Religion still plays a central and definitive role in the life of many of its people.

The religion of 80% of the people is Hinduism. Islam is practiced by around 13% of all Indians. Sikhism, Jainism and especially Buddhism are influential not only in India but across the world. Christianity, Zoroastrianism, Judaism and the Bahá'í Faith are also influential but their numbers are smaller. Despite the strong role of religion in Indian life, atheism and agnostics also have visible influence along with a self-ascribed tolerance to other people.

According to Eugene M. Makar, a respected industry consultant, traditional Indian culture is defined by a relatively strict social hierarchy. He also mentions that from an early age, children are reminded of their roles and places in society. This is reinforced by the fact that many believe gods and spirits have an integral and functional role in determining their life. Several differences such as religion divide the culture. However, a far more powerful division is the traditional Hindu bifurcation into non-polluting and polluting occupations. Strict social taboos have governed these groups for thousands of years. In recent years, particularly in cities, some of these lines have blurred and sometimes even disappeared. Important family relations extend as far as gotra, the mainly patrilinear lineage or clan assigned to a Hindu at birth.In rural areas & sometimes in urban areas as well, it is common that three or four generations of the family live under the same roof.The patriarch often resolves family issues.

 Names and language

Indian names are based on a variety of systems and naming conventions, which vary from region to region. Names are also influenced by religion and caste and may come from the Indian epics. India's population speaks a wide variety of languages.

Languages and literature

History

 Time is always referred as Kaala Chakra in India. In Ancient India the time was divided in Four yugas. The calendar which most Indians follows goes in accordance to this. There by, measuring the dates of Vedas came in later days.

With its oldest core dating back to as early as 1500 BC, the Rigvedic Sanskrit is one of the oldest attestations of any Indo-Iranian language, and one of the earliest attested members of the Indo-European language family, the family which includes English and most European languages. Sanskrit has had a profound impact on the languages and literature of India. Hindi, India's most spoken language, is a "Sanskritized register" of the Khariboli dialect. In addition, all modern Indo-Aryan languages, Munda languages and Dravidian languages, have borrowed many words either directly from Sanskrit (tatsama words), or indirectly via middle Indo-Aryan languages (tadbhava words). Words originating in Sanskrit are estimated to constitute roughly fifty percent of the vocabulary of modern Indo-Aryan languages,and the literary forms of (Dravidian) Telugu, Malayalam and Kannada.Part of the Eastern Indo-Aryan languages, the Bengali language arose from the eastern Middle Indic languages and its roots are traced to the 5th century BC Ardhamagadhi language.

Tamil, one of India's major classical languages, descends from Proto-Dravidian languages which was spoken around the third millennium BC in peninsular India. Tamil literature has existed for over two thousand years and the earliest epigraphic records found date from around the third century BC.Another major Dravidian language, Kannada is attested epigraphically from the mid-1st millennium AD, and literary Old Kannada flourished in the 9th to 10th century Rashtrakuta Dynasty. Pre-old Kannada (or Purava HaleGannada) was the language of Banavasi in the early Common Era, the Satavahana and Kadamba periods and hence has a history of over 2000 years.The Ashoka rock edict found at Brahmagiri (dated to 230 BC) has been suggested to contain a word in identifiable Kannada.

According to 2001 India census, Hindi is the most spoken language in India, followed by Bengali, Telugu, Marathi and Tamil.In contemporary Indian literature, there are two major literary awards; these are the Sahitya Akademi Fellowship and the Jnanpith Award. Seven Jnanpith awards each have been awarded in Kannada, six in Hindi, five in Bengali, four in Malayalam, three each in Marathi, Gujarati, Urdu and Oriya and two each in Telugu and Tamil.

Epics

 The Rāmāyaṇa and the Mahābhārata are the oldest preserved and well-known epics of India. Versions have been adopted as the epics of Southeast Asian countries like Thailand, Malaysia and Indonesia. The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas), and tells the story of Rama (an incarnation or Avatar of the Hindu preserver-god Vishnu), whose wife Sita is abducted by the demon king of Lanka, Ravana. This epic played a pivotal role in establishing the role of dhárma as a principal ideal guiding force for Hindu way of life.The earliest parts of the Mahabharata text date to 400 BC and is estimated to have reached its final form by the early Gupta period (ca. 4th c. AD). Other regional variations of these, as well as unrelated epics include the Tamil Ramavataram, Kannada Pampa Bharata, Hindi Ramacharitamanasa, and Malayalam Adhyathmaramayanam. In addition to these two great Indian epics, there are five major epics in the classical Tamil language  Silappatikaram, Manimekalai, Civaka-cintamaniand Valayapathi.

Animals

Cows depicted in the decorated goppuram of the Kapaleeshwarar temple in Chennai.

The varied and rich wildlife of India has had a profound impact on the region's popular culture. Common name for wilderness in India is Jungle which was adopted by the British colonialists to the English language. The word has been also made famous in The Jungle Book by Rudyard Kipling. India's wildlife has been the subject of numerous other tales and fables such as the Panchatantra and the Jataka tales.

In Hinduism, the cow is regarded as a symbol of ahimsa (non-violence), mother goddess and bringer of good fortune and wealth. For this reason, cows are revered in Hindu culture and feeding a cow is seen as an act of worship.

Family

Family plays a significant role in the Indian culture. For generations, India has had a prevailing tradition of the joint family system. It is a system under which extended members of a family parents, children, the children’s spouses and their offspring, etc. live together. Usually, the eldest male member is the head in the joint Indian family system. He makes all important decisions and rules, and other family members abide by them.[citation needed]

Marriage

For centuries, arranged marriages have been the tradition in Indian society. Even today, the vast majority of Indians have their marriages planned by their parents and other respected family-members, with the consent of the bride and groom. They also demand dowry, which has been outlawed by the Indian government, but Indian society and culture still promotes and maintains it. They get around the prohibition by not letting the authorities know. Arranged matches are made after taking into account factors such as age, height, personal values and tastes, the backgrounds of their families (wealth, social standing), their castes and the astrological compatibility of the couples' horoscopes.

In India, the marriage is thought to be for life and the divorce rate is extremely low 1.1% compared with about 50% in the United States.The arranged marriages generally have a much lower divorce rate, although divorce rates have risen significantly in recent years for love marriage.The divorce rates of marriage is increasing now a days(3.5%)

"Opinion is divided over what the phenomenon means: for traditionalists the rising numbers portend the breakdown of society while, for some modernists, they speak of a healthy new empowerment for women.

Namaste

Namaste, namaskar or Namaskara or Namaskaram, Vanakkam (Tamil) or Asssalamu alaikum (Urdu / Persian) Sat Shri Akal (Punjabi) is a common spoken greeting or salutation in the Indian subcontinent. Namaskar is considered a slightly more formal version than Namaste but both express deep respect. It is commonly used in India and Nepal by Hindus, Jains, Buddhists and Sikhs, and many continue to use this outside the Indian subcontinent. In Indian and Nepali culture, the word is spoken at the beginning of written or verbal communication. However, the same hands folded gesture is made usually wordlessly upon departure. Taken literally, it means "I bow to you". The word is derived from Sanskrit (namah): to bow, obeisance, reverential salutation, and respect, and (te): "to you". As explained by an Indian scholar, in literal terms Namaste refers to 'That which is of God in me bows to that which is of God in you'.

Festivals

 India, being a multi-cultural and multi-religious society, celebrates holidays and festivals of various religions. The four national holidays in India, the Independence Day, the Republic Day, the Gandhi Jayanti,and 1st may are celebrated with zeal and enthusiasm across India. In addition, many states and regions have local festivals depending on prevalent religious and linguistic demographics. Popular religious festivals include the Hindu festivals of Navratri, Diwali, Ganesh Chaturthi, Durga puja, Holi, Rakshabandhan and Dussehra. Several harvest festivals, such as Sankranthi, Pongal and Onam,"Nuakhai" are also fairly popular.

Certain festivals in India are celebrated by multiple religions. Notable examples include Diwali, which is celebrated by Hindus, Sikhs and Jains, and Buddh Purnima, celebrated by Buddhists and Hindus. Islamic festivals, such Eid ul-Fitr, Eid al-Adha and Ramadan, are celebrated by Muslims across India. Sikh Festivals , such as Guru Nanak Jayanti, Baisakhi are celebrated with full fanfare by Sikhs and Hindu. Adding colors to the culture of India, the Dree Festival is one of the tribal festivals of India celebrated by the Apatanis of the Ziro valley of Arunachal Pradesh, which is the easternmost state of India.

Clothing

 Traditional clothing in India greatly varies across different parts of the country and is influenced immensely by local culture, geography and climate. Popular styles of dress include draped garments such as sari for women and dhoti or lungi for men; in addition, stitched clothes such as churidar for women and kurta-pyjama and European-style trousers and shirts for men, are also popular.

In India, a person's social status is perceived to be symbolized by his or her attire. Indian dress etiquette discourages exposure of skin and wearing transparent or tight clothes.Most Indian clothes are made from cotton which is ideal for the region's hot weather.Since India's weather is mostly hot and rainy, majority of Indians wear sandals.

Worn by women on their forehead, the bindi is considered to be a highly auspicious mark in Hindu religion.Traditionally, the red bindi (or sindoor) was worn only by the married Hindu women, but now it has become a part of women's fashion. Some Indian traditions consider the bindi to be representative of the third eye.

India's clothing styles have continuously evolved over the course of the country's history. Ancient Vedic texts mention clothes made from barks and leaves (known as phataka). The 11th century BC Rig-veda mentions dyed and embroidered garments (known as paridhan and pesas respectively) and thus highlights the development of sophisticated garment manufacturing techniques during the Vedic age.In 5th century BC, Greek historian Herodotus describes the richness of the quality of Indian cotton clothes.By 2nd century AD, muslins manufactured in southern India were imported by the Roman Empire and silk cloth was one of the major exports of ancient India along with Indian spices.Stitched clothing in India was developed before 10th century AD and was further popularized in 15th century by Muslim empires in India.Draped clothing styles remained popular with India's Hindu population while the Muslims increasingly adopted tailored garments.

During the British Raj, India's large clothing and handicrafts industry was left paralyzed so as to make place for British industrial cloth. Consequently, Indian independence movement leader Mahatma Gandhi successfully advocated for what he termed as khadi clothing light colored hand-woven clothes so as to decrease reliance of the Indian people on British industrial goods. The 1980s was marked by a widespread modification to Indian clothing fashions which was characterized by a large-scale growth of fashion schools in India, increasing involvement of women in the fashion industry and changing Indian attitudes towards multiculturalism. These developments played a pivotal role in the fusion of Indian and Western clothing styles.

Cuisine

The cuisine in India is classified into three major categories. Sattva, Rajas, and Tamas. Satva which stand for balance, Rajas stands for passion, and Thamas stands for indulgence. Food is consumed according to the lifestyle of the person. For example: A King has to be aggressive to defend his country, he would be taking food which would give much passion and that aggressiveness which is required. When a person tries to lead his life in want of self realisaiton, he would prefer a Satvic food or known as Sattvic diet, which would help to keep his mind in balance. Thamasic food or known as Static foods is to be taken only if its required, like consumption of Alcohol. This is the reason why in many Indians try to abstain drinking.

The multiple varieties of Indian cuisine are characterized by their sophisticated and subtle use of many Spices and Herbs. Each family of this cuisine is characterized by a wide assortment of dishes and cooking techniques. Though a significant portion of Indian food is vegetarian, many traditional Indian dishes also include: chicken, goat, lamb, fish, and other meats.

India is known for its love for food and spices, and it plays a role in everyday life as well as in festivals. Indian cuisine varies from region to region, reflecting the varied demographics of the country. Generally, Indian cuisine can be split into 5 categories northern, southern, eastern, western and north-eastern.

Despite this diversity, some unifying threads emerge. Varied uses of spices are an integral part of food preparation, and are used to enhance the flavor of a dish and create unique flavors and aromas. Cuisine across India has also been influenced by various cultural groups that entered India throughout history, such as the Persians, Mughals, and European colonists. Though the tandoor originated in Central Asia, Indian tandoori dishes, such as chicken tikka made with Indian ingredients, enjoy widespread popularity.

Indian cuisine is one of the most popular cuisines across the globe.Historically, Indian Spices and Herbs were one of the most sought after trade commodities. The Spice trade between India and Europe led to the rise and dominance of Arab traders to such an extent that European explorers, such as Vasco da Gama and Christopher Columbus, set out to find new trade routes with India leading to the Age of Discovery.The popularity of curry, which originated in India, across Asia has often led to the dish being labeled as the "pan-Asian" dish.

 Performing arts

Dance

Bharatanatyam, one of eight designated classical dance forms of India.Indian dance too has diverse folk and classical forms. Among the well-known folk dances are the bhangra of the Punjab, the bihu of Assam, the chhau of Jharkhand, the Odishi of Orissa, the ghoomar of Rajasthan, the dandiya and garba of Gujarat, the Yakshagana of Karnataka and lavani of Maharashtra and Dekhnni of Goa. Eight dance forms, many with narrative forms and mythological elements, have been accorded classical dance status by India's National Academy of Music, Dance, and Drama. These are: bharatanatyam of the state of Tamil Nadu, kathak of Uttar Pradesh, kathakali and mohiniattam of Kerala, kuchipudi of Andhra Pradesh, manipuri of Manipur, odissi of the state of Odisha and the sattriya of Assam.

Drama and theatre

Indian drama and theatre has a long history alongside its music and dance. Kalidasa's plays like Shakuntala and Meghadoota are some of the older dramas, following those of Bhasa. One of the oldest surviving theatre traditions of the world is the 2,000 year old Kutiyattam of Kerala. It strictly follows the Natya Shastra.[54] Nātyāchārya Māni Mādhava Chākyār is credited for reviving the age old drama tradition from extinction. He was known for mastery of Rasa Abhinaya. He started to perform the Kalidasa plays like Abhijñānaśākuntala, Vikramorvaśīya and Mālavikāgnimitra; Bhasa's Swapnavāsavadatta and Pancharātra; Harsha's Nagananda.

Music

The music of India includes multiple varieties of religious, classical, folk, popular and pop music.The oldest preserved examples of Indian music are the melodies of the Samaveda (1000 BC) that are still sung in certain Vedic Śrauta sacrifices; this is the earliest account of Indian musical hymns.It proposed a tonal structure consisting of seven notes, which were named, in descending order, as Krusht, Pratham, Dwitiya, Tritiya, Chaturth, Mandra and Atiswār. These refer to the notes of a flute, which was the only fixed frequency instrument. The Samaveda, and other Hindu texts, heavily influenced India's classical music tradition, which is known today in two distinct styles: Carnatic and Hindustani music. Both the Carnatic music and Hindustani music systems are based on the melodic mode (known as Rāga), sung to a rhythmic cycle (known as Tāla); these principles were refined in the nātyaśāstra (200 BC) and the dattilam (300 AD).

Prominent contemporary Indian musical forms included filmi and Indipop. Filmi refers to the wide range of music written and performed for mainstream Indian cinema, primarily Bollywood, and accounts for more than 70 percent of all music sales in the country.Indipop is one of the most

popular contemporary styles of Indian music which is either a fusion of Indian folk, classical or Sufi music with Western musical traditions.

Visual arts/Painting

The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphst it was common for households to paint their doorways or indoor rooms where guests resided.Cave paintings from Ajanta, Bagh, Ellora and Sittanavasal and temple paintings testify to a love of naturalism. Most early and medieval art in India is Hindu, Buddhist or Jain. A freshly made coloured flour design (Rangoli) is still a common sight outside the doorstep of many (mostly South Indian) Indian homes. Raja Ravi Varma is one the classical painters from medieval India.

Madhubani painting, Mysore painting, Rajput painting, Tanjore painting, Mughal painting are some notable Genres of Indian Art; while Nandalal Bose, M. F. Husain, S. H. Raza, Geeta Vadhera, Jamini Roy and B.Venkatappa[61] are some modern painters. Among the present day artists, Atul Dodiya, Bose Krishnamacnahri, Devajyoti Ray and Shibu Natesan represent a new era of Indian art where global art shows direct amalgamation with Indian classical styles. These recent artists have acquired international recognition. Jehangir Art Gallery, Mumbai, Mysore Palace has on display a few good Indian paintings.

Sculpture

 The first sculptures in India date back to the Indus Valley civilization, where stone and bronze figures have been discovered. Later, as Hinduism, Buddhism, and Jainism developed further, India produced some extremely intricate bronzes as well as temple carvings. Some huge shrines, such as the one at Ellora were not constructed by using blocks but carved out of solid rock.

Sculptures produced in the northwest, in stucco, schist, or clay, display a very strong blend of Indian and Classical Hellenistic or possibly even Greco-Roman influence. The pink sandstone sculptures of Mathura evolved almost simultaneously. During the Gupta period (4th to 6th century) sculpture reached a very high standard in execution and delicacy in modeling. These styles and others elsewhere in India evolved leading to classical Indian art that contributed to Buddhist and Hindu sculpture throughout Southeast Central and East Asia.

Architecture

Indian architecture encompasses a multitude of expressions over space and time, constantly absorbing new ideas. The result is an evolving range of architectural production that nonetheless retains a certain amount of continuity across history. Some of its earliest production are found in the Indus Valley Civilization (2600–1900 BC) which is characterised by well planned cities and houses. Religion and kingship do not seem to have played an important role in the planning and layout of these towns.

During the period of the Mauryan and Gupta empires and their successors, several Buddhist architectural complexes, such as the caves of Ajanta and Ellora and the monumental Sanchi Stupa were built. Later on, South India produced several Hindu temples like Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura, Brihadeeswara Temple, Thanjavur, the Sun Temple, Konark, Sri Ranganathaswamy Temple at

Srirangam, and the Buddha stupa (Chinna Lanja dibba and Vikramarka kota dibba) at Bhattiprolu. Angkor Wat, Borobudur and other Buddhist and Hindu temples indicate strong Indian influence on South East Asian architecture, as they are built in styles almost identical to traditional Indian religious buildings.

The traditional system of Vaastu Shastra serves as India's version of Feng Shui, influencing town planning, architecture, and ergonomics. It is unclear which system is older, but they contain certain similarities. Feng Shui is more commonly used throughout the world. Though Vastu is conceptually similar to Feng Shui in that it also tries to harmonize the flow of energy, (also called life-force or Prana in Sanskrit and Chi/Ki in Chinese/Japanese), through the house, it differs in the details, such as the exact directions in which various objects, rooms, materials, etc. are to be placed.

With the advent of Islamic influence from the west, Indian architecture was adapted to allow the traditions of the new religion. Fatehpur Sikri, Taj Mahal, Gol Gumbaz, Qutub Minar, Red Fort of Delhi are creations of this era, and are often used as the stereotypical symbols of India. The colonial rule of the British Empire saw the development of Indo-Saracenic style, and mixing of several other styles, such as European Gothic. The Victoria Memorial or the Chatrapati Shivaji Terminus are notable examples.

Indian architecture has influenced eastern and southeastern Asia, due to the spread of Buddhism. A number of Indian architectural features such as the temple mound or stupa, temple spire or sikhara, temple tower or pagoda and temple gate or torana, have become famous symbols of Asian culture, used extensively in East Asia and South East Asia. The central spire is also sometimes called a vimanam. The southern temple gate, or gopuram is noted for its intricacy and majesty.

Sports and Martial arts

Field Hockey is the national Sport in India, and the India national field hockey team won the 1975 Men's Hockey World Cup and 8 gold, 1 silver and 2 bronze medals at the Olympic games. Cricket is the most popular Sport in India. The India national cricket team won the 1983 Cricket World Cup, the 2011 Cricket World Cup and the 2007 ICC World Twenty20, and shared the 2002 ICC Champions Trophy with Sri Lanka. Domestic competitions include the Ranji Trophy, the Duleep Trophy, the Deodhar Trophy, the Irani Trophy and the Challenger Series. In addition, BCCI conducts the Indian Premier League, a Twenty20 competition.

India is the host of 2010 Commonwealth Games, played in New Delhi. It hosted a spectacular display of Indian culture and heritage to the entire world during the opening ceremony of the games.

Chess is commonly believed to have originated in northwestern India during the Gupta empire,where its early form in the 6th century was known as chaturanga. Other games which originated in India and continue to remain popular in wide parts of northern India include Kabaddi, Gilli-danda, and Kho kho. Traditional southern Indian games include Snake boat race and Kuttiyum kolum.

Indian martial arts

One of the best known forms of ancient Indian martial arts is the Kalarippayattu from Kerala. This ancient fighting style originated in southern India in 12th century BC and is regarded as one of the oldest surviving martial arts.In this form martial arts, various stages of physical training include ayurvedic massage with sesame oil to impart suppleness to the body (uzichil); a series of sharp body movements so as to gain control over various parts of the body (miapayattu); and, complex sword fighting techniques (paliyankam). Silambam, which was developed around 200 AD, traces its roots to the Sangam period in southern India.Silambam is unique among Indian martial arts because it uses complex footwork techniques (kaaladi), including a variety of spinning styles. A bamboo staff is used as the main weapon.The ancient Tamil Sangam literature mentions that between 400 BC and 600 AD, soldiers from southern India received special martial arts training which revolved primarily around the use of spear (vel), sword (val) and shield (kedaham).

In northern India, the musti yuddha evolved in 1100 AD and focussed on mental, physical and spiritual training.In addition, the Dhanur Veda tradition was an influential fighting arts style which considered the bow and the arrow to be the supreme weapons. The Dhanur Veda was first described in the 5th century BC Viṣṇu Purāṇa[68] and is also mentioned in both of the major ancient Indian epics, the Rāmāyaṇa and Mahābhārata. A distinctive factor of Indian martial arts is the heavy emphasis laid on meditation (dhyāna) as a tool to remove fear, doubt and anxiety.

Indian martial arts techniques have had a profound impact on other martial arts styles across Asia. The 3rd century BC Yoga Sutras of Patanjali taught how to meditate single-mindedly on points located inside one's body, which was later used in martial arts, while various mudra finger movements were taught in Yogacara Buddhism. These elements of yoga, as well as finger movements in the nata dances, were later incorporated into various martial arts. According to some historical accounts, Indian Buddhist monk Bodhidharma was one of the main founders of the Shaolin Kungfu.

The end………………..

Bodhidharma1887.

 Bodhidharma was a Buddhist monk who lived during the 5th/6th century AD. He is traditionally credited as the transmitter of Ch'an (Sanskrit: Dhyāna, Japanese: Zen) to China, and regarded as the first Chinese patriarch. According to Chinese legend, he also began the physical training of the Shaolin monks that led to the creation of Shaolinquan. .

 Little contemporary biographical information on Bodhidharma is extant, and subsequent accounts became layered with legend.[1] There are three principal sources for Bodhidharma's biography Yáng Xuànzhī's (Yang Hsüan-chih) The Record of the Buddhist Monasteries of Luoyang (547), Tánlín's preface to the Two Entrances and Four Acts (6th century CE), and Dàoxuān's (Tao-hsuan) Further Biographies of Eminent Monks (7th century CE).

 These sources vary on their account of Bodhidharma being either "from Persia" (547 CE), "a Brahman monk from South India" (645 CE), "the third son of a Brahmin king of South India" (ca. 715 CE).Some traditions specifically describe Bodhidharma to be the third son of a Pallavine king from Kanchipuram.

 The accounts also differ on the date of his arrival, with one early account claiming that he arrived during the Liú Sòng Dynasty (420–479) and later accounts dating his arrival to the Liáng Dynasty (502–557). Bodhidharma was primarily active in the lands of the Northern Wèi Dynasty (386–534). Modern scholarship dates him to about the early 5th century.

 Several stories about Bodhidharma have become popular legends, which are still being used in the Ch'an and Zen-tradition.Bodhidharma's teachings and practice centered on meditation and the Lankavatara-sutra.The Anthology of the Patriarchal Hall (952) identifies Bodhidharma as the 28th Patriarch of Buddhism in an uninterrupted line that extends all the way back to the Buddha himself.Throughout Buddhist art, Bodhidharma is depicted as a rather ill-tempered, profusely bearded and wide-eyed barbarian. He is described as "The Blue-Eyed Barbarian" in Chinese texts.